MiniDV, DVD, Hard Drive, 8 mm, High Def, brands, import / capture techniques, settings ... talk about camcorders in here.
by Madphule » Tue Jul 03, 2012 10:48 am
Hello! and thank you for letting me join your Forums. I hope this is the most appropriate location to start this thread in, if it is not I apologize now. My office provides technical and soft skills training, as part of this we often make short 5-10 minute training videos. We have a need to get all new gear for a shoot at the end of the month (double booked the one set of gear that belongs to anther one of our offices ) . I have been tasked with finding the best bang for the buck in the current video hardware realm, so I'm looking for any advice that might help. Basic gear needs: 1) Video Camera (looking at entry level Pro Camcorder or DSLR) 2) Tripod 3) Lighting - I know lighiting is going to be very important especially on the darker Industrial shoots. Potential shoot environments: 1) Office environments (Small spaces with florescent lights and window natural light) 2) Semi-Industrial (Manufacturing with clean bright Facilities - usually high ceilings and powerful overhead lights) 3) Heavy Industrial (Manufacturing with dirty dark Facilities - usually high ceilings and little to no overhead lights - Steel manufacturing, etc,) Gear will be used regularly (several times per month) and will need to travel by any means necessary. We view footage on location on Windows 7 laptops and edit in Final Cut Pro X on two Macs (Mac Pro - Early 2009 - Quad-Core Intel Xeon 3500 series processor). So shooting in a format that can be easily viewed and ported between machines without having to convert the files is optimal (anything that will make the work-flow closer to seamless, or current solution requires the footage be covered from tape to Hard drive and then imported and "unshrunk" - don't know why it happens but when the HD video is transferred from tape to Hard Drive it gets set to 4:3 and then we have to take it back to 16:9 in post). Videos are typically Pro-Narrated (Post-Production) and have a similar flow and feel to the TV show "How it's made". but it would be good to have the ability to mike the subjects and record live, if the situation calls for it. The majority of our work is filmed and used in the USA and presented online, though we do provided DVDs if the client asks. I have a Cannon T3i for personal use, so I tend to favor the DSL route, but I'm not sure if that is the best solution for this work. As for budget, I need to keep the price as low as possible while still presenting good quality HD video. I showed my boss the price for T41 and he looked fine and then I showed him the price for the Canon XF105 and he swallowed his tongue and passed out - JK. Basically if its not too over the top for small shoots like this; and I would be shooting myself in the foot for going cheaper, then I can make a case for it. Any and all advice/suggestion is appreciated. My father shoots pictures and my aunt (momoffduty) does awesome things with video, so I have started to dabble, giving me just enough info to be dangerous !
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Madphule
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by Steve Grisetti » Tue Jul 03, 2012 10:58 am
An AVCHD camcorder would certainly be your best solution, as far as camcorder is concerned. Canon makes excellent AVCHD cams starting at $600. You can use higher end DSLRs to shoot video -- but that can mean a much higher investment than a straight camcorder. A good DSLR that shoots video will cost at least $1000. Tripods are pretty easy to come by. Especially if you're using a handheld camera or camcorder, you probably won't need to spend over $80 for a very good one. As for lighting, try Cowboy Studio. They sell everything from individual pieces to kits. http://www.cowboystudio.com/Here's a nice set for the type of work you seem to be doing. It costs $215 and includes a handy carrying case! http://www.cowboystudio.com/product_p/2000wboomkit.htm
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by Dave McElderry » Tue Jul 03, 2012 11:10 am
Welcome Madphule! Lots of good resources here, and if Cheryl is your aunt you can't go wrong.
Be yourself; everyone else is taken.
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by Madphule » Tue Jul 03, 2012 12:04 pm
Thank you Steve, I will check out the links posted.
As for the lighting we have a similar lighting set-up for the office set-up but It does seam bright enough for the Semi-Industrial and Industrial Settings
I was trying to insert an image to show one of our shoots. But it appears either through new user restrictions or my ineptitude I cannot.
Basically I'm concerned that in darker more open facilities that the florescent light kits wont offer enough light.
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by Madphule » Tue Jul 03, 2012 12:06 pm
Thank you Dave, And for a proper name I'm Jeremy, been using the handle Madphule for over 20 years on these type boards, just hard to drop
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by Dave McElderry » Tue Jul 03, 2012 12:11 pm
You say that you're looking for an "entry level pro camcorder." Do you really mean pro, because that would be a completely different category than the consumer line that Steve's talking about. May I ask what your budget is for the camcorder itself?
Okay, Jeremy it is. You might want to go into the User Control Panel and add a signature that would include that. I like being able to call people by at least their real first name.
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by Bob » Tue Jul 03, 2012 1:05 pm
Welcome, Jeremy!
DSLRs are increasingly used for video and they have advantages such as being able to use a variety of lenses including long focus lenses to get a shallow depth of field. You can also increase the ISO setting. But there are some issues. Most DSLRs have a rolling shutter -- the focal plane shutter and curtain form a slit which travels across the sensor. With a rolling shutter, you are not exposing the entire frame at the same instant. If you are shooting a moving object, this can cause a wobbling, sometimes called the "jello" effect. If the camera is moving, you can get a skewed image. Camcorders, on the other hand, have a global shutter which exposes the entire frame at the same instant eliminating skew and wobble. Another problem is heat. The longer the video segment, the more the heat generated by the sensor. Some early video recording DSLRs have a very short recording time because of that. That's been improving.
The next time you go to an industrial shoot, take along your T3i and shoot some trial video to see if rolling shutter is going to be an issue for you.
One thing to consider with a camcorder is perception. If your clients are external (i.e. from a different company), using a camcorder that looks too much like a consumer level product may give the impression that you are not a professional and that may affect satisfaction and return business.
LIghting an industrial "cave" is a daunting issue. I've noticed that shows like "How it's Made" avoid longer shots and concentrate on close to mid-distance shots that are easier to light. Can you get by with the closer shots that can be easily lighted, or do you need those longer shots?
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by Madphule » Tue Jul 03, 2012 2:13 pm
Thank you Dave and Bob!
I'm trying to find out from the "Video Guy" what our current camera is (I don't know my camcorders but a quick internet search provided an image that looks just like the one he uses a Cannon XL-H1), and my manger what his pain point is, but with the Holiday week they are hard to nail down.
The clients are all external. We have shot some footage with a consumer level camcorder before, but it was a quick hit project that was just a couple of minutes tossed in flash file, so it was not frowned upon. I'm a bit concerned about the perception as you have mentioned. I'm personally partial to the DSLR because of the photos I shoot, but need this to be primarily for video camera. I shoot lots of Lacrosse, baseball, sports video of the kids with the T3i, but was unaware of the rolling shutter issue (I'm also concerned about the perception with a DSLR - "you brought a Camera to a video shoot?")
Most of our individuality shoots are close-up and only a few seconds to a minute long, lots of cut scenes with stills and establishing shoots). This is especially true of the industrial shoots. We start with an establishing shoot of the worker holding the tool where you see them from about their shoulder to the knees. Then we cut to a still of the tool, followed by a close up of the workers hands using the tool. So for the most part we can push the lighting down to a small area. There are some cases where we will need to show a full milling machine or part of the process that would be larger but still limited to manly one object, we typically do not perform long pans of the entire facility or similar.
Manager stopped by so now I have a price point for the camera alone: $800-1,200.00 though he did mention that the quality must be there and asked me if he was way off mark.
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by Dave McElderry » Tue Jul 03, 2012 3:02 pm
Canon Vixia HF G10 (AVCHD). List price $1500, but can be had for $1230. Read all about it. http://www.usa.canon.com/cusa/consumer/ ... xia_hf_g10http://www.amazon.com/Canon-G10-Camcord ... B004HW7DZMIt won't have the look that Bob was talking about, but the low-light peformance is tops in a camcorder of its price range, and it has good manual controls but an awesome auto mode too. Reviewers say it's at least as good as the XA10 in picture quality, except that it doesn't have the handle and XLR connectors (which do help provide that "look"). The internal mics give better audio than some of the reviews would have you believe, but you'll likely want a separate external mic anyway. Has 32 GB internal memory and two SD slots for additional memory cards. With extra batteries you can record for many hours.
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by Madphule » Tue Jul 03, 2012 3:25 pm
Awesome Dave, Looks like I have some reading to do Thank you!
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by momoffduty » Tue Jul 03, 2012 4:30 pm
Welcome Jeremy to Muvipix! And thanks guys for helping my nephew. Maybe he'll loan me his T3i!
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by Chuck Engels » Tue Jul 03, 2012 10:31 pm
Any relative of Cheryl's is a relative of ours !! Welcome to the best forum in the known universe Jeremy
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by John 'twosheds' McDonald » Wed Jul 04, 2012 12:34 am
Just wanted to say welcome to Muvipix!
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by Madphule » Thu Jul 05, 2012 7:39 am
Thank you all for your warm welcome. And thank you Cheryl for sending me this way!
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